Release Date: 19 June 2014 (NZ), 13 February 2015 (USA)
Budget: $1.6 million
Box Office: $7 million ($4)
Directors: Taika Waititi and Jemaine Clement
Writers: Taika Waititi and Jemaine Clement
A-list Actors: Taika Waititi
Controversy: The film was heavily pirated. After the shutting down of a piracy website based in Mount Wellington, Auckland, the website revealed that, at 277,000 downloads, What We Do in the Shadows is one of its most heavily pirated movies.
Distributed by: Madman Entertainment (NZ), Paramount Pictures (North America)
Synergy:
Wellington sign changed to 'Vellington'
Actors went into cinemas as the characters
TradeMe account auctioning props
Dating website (Dating with Viago 101)
Media screening fan events
Art competitions
Released to : Apple TV, AcademyonDemand
Hollywood Blockbuster: Avengers: Endgame
Trailer:
Date of Release: 24 April 2019
Budget: $356 million
Box Office: $2.798 billion (USD)
Directors: Joe Russo, Anthony Russo
Producer: Kevin Feige
Written by: Christopher Markus, Stephen McFeely
Distributed by: Walt Disney Studios Motion Pictures
A-list Actors:
Tom Holland
Robert Downey, Jr
Chris Evans
Mark Ruffalo
Chris Hemsworth
Scarlett Johansson
Jeremy Renner
Don Cheadle
Paul Rudd
Brie Larson
Karen Gillan
Danai Gurira
Benedict Wong
Jon Favreau
Bradley Cooper
Gwyneth Paltrow
Josh Brolin
Samuel L Jackson
Opening Week: Made $1.2 billion, decimating every box office record
Gross Earning: $2.8 billion
Gross Earning Pre-sales: $120-$140 million
The Russo brothers' poignant, powerful finale more than lives up to the hype: It's a thrilling conclusion and a deeply emotional exploration of loss and love, duty and honor, friendship and family. Written by Christopher Markus and Stephen McFeely, the story focuses on the remaining Avengers and their post-trauma lives. Each seems overwhelmed by their failure, so when they start to regroup, it's clear that they're far from the same confident, optimistic superheroes who thought they could defeat Thanos in Infinity War.
-Common Sense Media
Marketing:
As well as promoting the Endgame trailer, it also effectively promoted the movie before it: Captain Marvel. Captain Marvel receives the spotlight in the second trailer through her interaction with Chris Hemsworth's Thor. Since Captain Marvel was still showing in the cinemas when the trailers came out, it was a clever move by Marvel as it gave people a reason to watch the movie so they were prepared for her appearance in Endgame.
With 32.5 million followers on Instagram, Marvel has a well established platform to publish content on. They catered their marketing materials specifically to individual channels, for example, using condensed snippets of trailers on Instagram with a link to the full video on YouTube.
Marvel was also consistent with the #AvengersEndgame hashtag being used on Twitter, Instagram, and Facebook.
Many iterations of poster designs could be seen on Marvel's Instagram, Twitter, and Facebook pages. The stylish poster designs work perfectly on social media to engage fans and visually showcase the actors/characters in the film.
To capitalise on the audiences bereavement, Marvel has produced a series of images for social media juxtaposing the characters who survived with the ones who were sadly snapped out of existence (The trauma is still very real).
A very simple idea but one that builds up anticipation as to whether the dusted characters will return or not and drives huge engagement.
In late December 2018, Endgame was listed as one of the most anticipated films of 2019, ranking second by IMDb, and first by Fandango and Atom Tickets.[157][158]
Due to the high demand when pre-sale tickets became available in the U.S. on April 2, 2019, customers on both Atom Tickets and Fandango experienced long wait times and system delays, while AMC Theatres' website and app crashed completely for several hours.
That same day, Fandango announced the film became its top-selling pre-sale title for the first 24 hours, topping Star Wars: The Force Awakens's previous record in just six hours. Atom said the film was also the website's bestselling first-day film (outselling Aquaman (2018) by four times), and Regal Cinemas reported that Endgame had sold more tickets in its first eight hours than Infinity War did in its entire first week.[159] The film grossed $120–140million in pre-sales alone.[134] The day prior to the film's release, Fandango announced it was its biggest pre-selling title of all time, beating The Force Awakens, with over 8,000 sold-out showtimes across the country.[160]
In India, the film sold one million tickets in just one day for the English, Hindi, Tamil, and Telugu language screenings; 18 tickets were sold every second.[134] In China, pre-sale tickets became available on April 12 and sold a record one million tickets in just six hours, outselling Infinity War's first 24-hour total within the first hour,[161] and made $114.5million (RMB 770 million) just from pre-sales.[162]
Critical Response:
The review aggregator website Rotten Tomatoes reported an approval rating of 94% with an average score of 8.20/10 based on 541 reviews.
The website's critical consensus reads, "Exciting, entertaining, and emotionally impactful, Avengers: Endgame does whatever it takes to deliver a satisfying finale to Marvel's epic Infinity Saga."[184]
Metacritic, which uses a weighted average, assigned the film a score of 78 out of 100 based on 57 critics, indicating "generally favorable reviews".[185] Audiences polled by CinemaScore gave the film a rare "A+" grade on an A+ to F scale, the third Marvel film to earn the score after The Avengers and Black Panther (2018), and those at PostTrak gave the film 5 out of 5 stars and an 85% "definite recommend".[166]
*Due to COVID, people have been more present online, allowing film studios to have a larger outreach by promoting upcoming films on several platforms, mainly social media. For example, the first Spider-Man: No Way Home (teaser) trailer generated the largest 24 hour social media conversation volume of all time with 4.5 million mentions and has become the top most viewed movie trailer in the first 24 hours.*
Most viewed trailers:
Spider-Man no way home: 355m views
Avengers endgame #1: 289m views
Avengers endgame #2: 268m views
Avengers infinity war: 230m views
the lion king: 224m views
Indie Film: Brooklyn
Trailer:
Date of Release: 25 November 2015
Budget: $11 million
Box Office: $62.1 million
Gross Earning: $38, 322, 743 (USA)
$62, 402, 155 (Worldwide)
Directors: John Crowley
Producers: Amanda Posey, Finola Dwyer
Written by: Colm Tolbin, Nick Hornby
Distributed by: Lionsgate UK
A-list Actors:
Saiorse Ronan
Domnhall Gleeson
Emory Cohen
Jim Broadbent
Julie Walters
Critical Response:
Brooklyn received a standing ovation following its premiere at the 2015 Sundance Film Festival.[19] On the review aggregator Rotten Tomatoes, the film holds an approval rating of 97% based on 269 reviews, with an average rating of 8.4/10. The site's critical consensus reads, "Brooklyn buttresses outstanding performances from Saoirse Ronan and Emory Cohen with a rich period drama that tugs at the heartstrings as deftly as it satisfies the mind."[20] On Metacritic, the film has a weighted average score of 88 out of 100, based on 45 critics, indicating "universal acclaim."[21] Audiences polled by PostTrak gave the film an overall positive score of 92% and over 80% said they would "definitely recommend" it.
Brooklyn was also named one of the best films of 2015, featuring on more than 120 "Top 10" film critics' lists.[37][6] It is ranked fourth on Rotten Tomatoes and fifth on Metacritic's best reviewed films of 2015.
A Film that did badly: The Interview
Trailer:
Date of Release : 25 December 2014
Budget: $44 million USD
Box Office: 12.3 million
Producers: Seth Rogen, Evan Goldberg, and James Weaver
Written by: Seth Rogen, Evan Goldberg, and Dan Sterling
Directors: Seth Rogen and Evan Goldberg
Distributed by: Sony Pictures
A-List Actors:
James Franco
Randall Park
Eminem
Emma Stone
Nicki Minaj
Rob Lowe
Opening Week: $15 million
Gross Earning: $40 million
Distribution:
The Interview was not released in Japan, as live-action comedy films do not often perform well in the market. In the Asia-Pacific region, it was released only in Australia and New Zealand.
Rogen predicted that the film would make its way to North Korea, stating that "we were told one of the reasons they're so against the movie is that they're afraid it'll actually get into North Korea. They do have bootlegs and stuff. Maybe the tapes will make their way to North Korea and cause a revolution. "Business Insider reported via Free North Korea Radio that there was high demand for bootleg copies of the film in North Korea. The South Korean human rights organizationsFighters for a Free North Korea and Human Rights Foundation, largely made up of North Korean defectors, planned to distribute DVD copies of The Interviewvia balloon drops. The groups had previously air-dropped offline copies of the Korean Wikipedia into North Korea on a bootable USB memory device.The balloon drop was scrapped after the North Korean government referred to the plan as a de facto "declaration of war.
Release:
The Interview's release was cancelled as fear, intimidation and threats of violence from cyberterrorists forced Sony to pull the plug on the release of the Interview. Those who attacked stole intellectual property, private emails, and sensitive and proprietary material, and sought to destroy their spirit and morale - all apparently to thwart the release of a movie they did not like.
Critical Response:
On review aggregation website Rotten Tomatoes, the film holds a 51% approval rating, based on 154 reviews, with an average rating of 5.70/10. The site's consensus reads: "Unfortunately overshadowed by controversy (and under-screened as a result), The Interview's screenplay offers middling laughs bolstered by its two likable leads."On Metacritic, the film has a score of 52 out of 100, based on 33 critics, indicating "mixed or average reviews."
IGN's Roth Cornet wrote that "though it's unlikely to stand out as one of the shrewdest political satires of its time, [it] is a clever, unrestrained and—most importantly—sidesplitting parody that pokes fun at both a vapid media and one of the world's most dangerous dictators." Edward Douglas of ComingSoon.net said the film was "hilarious, but it will probably get us nuked." Jordan Hoffman of The Guardian gave the film three out of five stars and wrote that "if this unessential but agreeable movie really triggered an international response, this is life reflecting art in a major way."
Scott Foundas of Variety panned the film as "cinematic waterboarding" and "about as funny as a communist food shortage, and just as protracted", but praised the performances of Randall Park and Diana Bang.[18] Mike Hale of The New York Times also praised Park and Bang, but wrote that "after seeing The Interview and the ruckus its mere existence has caused, the only sensible reaction is amazement at the huge disconnect between the innocuousness of the film and the viciousness of the response."
"Synergy and Cross-Media-Convergence are vital processes in the successful marketing of media products to audiences." To what extent do you agree with this statement in relation to your chosen media area? Several media institutions use synergy and cross-media convergence to market their films successfully and introduce them into different markets. The Big Five media conglomerates - Walt Disney Studios, Universal, Warner Bros., Sony/Columbia and 20th Century Fox - have the advantage of owning different studios in both horizontal and vertical integration that allows them to effectively engage audiences and promote their films with the use of cross-media convergence and synergy. Disney has the advantage of owning a large number of acquisitions that they now have the highest percentage of studio market share. In 2018, Disney held the top three spots for films with the highest grossing films domestically, with Black Panther coming in first at $700 million. In addition to this, on...
Question One: Foundation Portfolio CCR Q1 by Brianna Hodder Question Two: Foundation Portfolio CCR Q2 by Brianna Hodder Question Three: Question Four: Foundation Portfolio CCR Q2 by Brianna Hodder
PT1 Final Edit 'Mirror, Mirror' I originally posted this yesterday on youtube, but I added further changes this morning, such as extending the audio to continue playing when the logo appears on screen. However, when I went to put the updated version of this video, youtube would not process it properly, and therefore I couldn't post it.
Comments
Post a Comment